Cinelab Supports CRIME 101 with Dailies and DFD Film Workflow

Cinelab Film & Digital provided digital dailies and dailies colour services in the UK for the feature film CRIME 101, directed by Bart Layton and shot by cinematographer Erik Wilson.

Working closely with the camera and production teams, Cinelab colourist Joshua Callis-Smith delivered the dailies colour pipeline, ensuring a consistent look for editorial throughout the production.

Captured digitally, the filmmakers also chose to incorporate Cinelab’s DFD (Digital–Film–Digital) workflow as part of the project’s finishing process. The completed film was recorded onto 35mm Kodak 250D camera negative using ARRILASER, before being processed through Cinelab’s photochemical laboratory and scanned back to digital at 4K resolution.

Passing the image through a genuine photochemical stage introduces the natural grain structure, texture and tonal depth of film, giving digitally captured material a distinctly analogue character while remaining compatible with modern digital post-production workflows.

Final picture finishing was completed at Goldcrest, with the grade by Rob Pizzey.

https://www.youtube.com/watch?v=KeEHsuZ4Ja4

CRIME 101 is now screening in cinemas.