Cinelab London provide the widest range of services from neg processing to final film and digital deliverables. The only film laboratory in the world processing all colour negative motion picture film formats - S8mm, 16mm, 35mm and 65mm.
Supporting the revival in shooting on film we provide a quality, consistent and secure service, run day and night shifts for fast turnaround of dailies and editorial rushes, including processing, sound sync, telecine/scanning and electronic delivery of rushes for editorial rushes and on-line screeners.
Our expert team of Film Technicians and the choice of Cinelab London’s wide range of scanners; Arriscan HDR, Scanity HDR and the Spirit 4K guarantees best service, best picture and best options for all budgets. From HD viewing copies to transfers to 6K pin registered scans for the best publicity stills we tailor individually to the scale and requirement of every project, regardless of size.
Cinelab London offers a bespoke film and dailies laboratory tailored to the scale and requirement of every project, regardless of size. Our speedy and efficient dailies lab is comprised exclusively of industry approved hardware and software’ driven by the expertise of our skilled operators. We’ve collaborated with Onset Tech (based at Cinelab London) to offer a complete solution so delivering dailies across multiple facilities is now a thing of the past.
Paul Dean heads up the Scanning and Grading team, providing creative and technical expertise to new and established filmmakers. Our Colourists grade across all genres of entertainment, both on dailies and final grades, utilising Black Magic's Davinci Resolve.
The majority of Cinelab London's digital services can be deployed remotely and the team have the capability to continue providing services from the safety and security of their own homes. All film and digital content remain securely stored at Cinelab London on a protected network.