LATEST NEWS

Huge congratulations to the entire cast and crew of A THOUSAND BLOWS on seven BAFTA nominations - joint second in this year's field alongside the best of British television. From Steven Knight's vision to the extraordinary work of directors Dionne Edwards and Katrin Gebbe, cinematographers Milos Moore and Matthew Lewis, and executive producers Stephen Graham, Hannah Walters, Damian Keogh, Kate Lewis, Tom Miller and Sam Myer - this is recognition well earned. Cinelab Film and

Huge congratulations to the team behind Sentimental Value, which won Best International Feature Film at last night’s Academy Awards. Well done to director Joachim Trier and cinematographer Kasper Tuxen, whose work continues to demonstrate the expressive power of shooting on film. Cinelab FIlm & Digital were pleased to support the production with 35mm film processing and scanning, working with the camera and production teams. We were also delighted to see Paul Thomas Anderso

The new music video for “Opalite”, written and directed by Taylor Swift, is now out and Cinelab were pleased to support the production with 35mm film processing, 4K scanning, and dailies colour by our Head of Scanning & Shortform Colour Paul Dean. Cinematographer Rodrigo Prieto chose to shoot the video on 35mm 4-perf, bringing the texture and depth of film capture to Swift’s playful, retro-inspired story. The video that was inspired by a comment on the couch of The Graham No

Cinelab Film & Digital is proud to have contributed to the feature film Peaky Blinders: The Immortal Man, directed by Tom Harper and lensed by cinematographer by George Steel. Working with the production’s post team, Cinelab provided its DFD (Digital–Film–Digital) workflow, transferring the finished film onto 35mm Kodak 50D camera negative. The film was then processed through Cinelab’s photochemical lab before being scanned back at 4K to digital for the final finishing pipel