RELEASED IN CINEMAS INTERNATIONALLY OCTOBER 2021 - GET YOUR TICKETS!
Blockbuster movie shot entirely on film, 65mm and 35mm. The film is the first in the James Bond series to have sequences shot with 65mm IMAX film cameras
In' No Time To Die', Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help.
The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
Client: MGM / Universal Pictures / EON Productions
Produced By: Michael G. Wilson and Barbara Broccoli
Director: Cary Joji Fukunaga
DOP: Linus Sandgren FSF, ASC
Starring: Daniel Craig, Rami Malek, Léa Seydoux, Lashana Lynch, Ben Whishaw, Naomie Harris, with Jeffrey Wright, with Christoph Waltz and Ralph Fiennes as "M"
Cinelab Film & Digital Services: 35mm and 65mm Film Processing Total Footage: 1,712, 870 feet of film
Filming Locations / Delivery of Film Rushes
Daily film rushes were received at the laboratory throughout the shoot from multiple locations in Jamaica, Norway, the Faroe Islands and the UK over several months.
Cinelab Film & Digital's location near Heathrow ensured efficient and fast delivery and processing of rushes, crucial to continuity and shooting schedules.
OFFICIAL TRAILER: NO TIME TO DIE IN CINEMAS OCTOBER 2021
Was James Bond 'No Time to Die' Shot on film?
YES! The film is the first in the James Bond series to have sequences shot with 65mm IMAX film cameras and 35mm. Director Cary Joji Fukunaga and Cinematographer Linus Sandgren pushed for using film over digital to enhance the look of the film.
Tech Specs:
Runtime 2 hr 43 min (163 min)
Colour 1.43 : 1 (some scenes: IMAX Laser) 1.90 : 1 (some scenes: Digital IMAX) 2.39 : 1
Cameras:
Arriflex 235, Panavision C-, E- and G-Series Lenses
Arriflex 435 ES, Panavision C-, E- and G-Series Lenses
Arriflex 765, Zeiss 765 Lenses (some shots)
IMAX MKIV, Hasselblad Lenses (some scenes)
IMAX MSM 9802, Hasselblad Lenses (some scenes)
Panavision Panaflex Millennium XL2, Panavision G-Series Lenses
Panavision Panaflex System 65 Studio, Panavision Sphero 65 Lenses (some shots)
Film Gauges / Stock:
35 mm (Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219)
65 mm (also horizontal) (Kodak Vision3 250D 5207, Vision3 500T 5219)
Cinematographic Process
Arri 765 (source format) (some shots)
Digital Intermediate (4K) (master format)
Dolby Vision
IMAX (source format) (some scenes)
Panavision (anamorphic) (source format)
Panavision Super 70 (source format) (some shots)
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