Mike Davis Joins Cinelab London as Senior Colourist

Cinelab London expands the growing grading team with hire from Pinewood Studios

Davis joins from Pinewood Studios (following its recent closure) where he spent five years grading feature film and episodic TV productions and specialising in archive and restoration.  He has graded 100+ restoration titles for clients including the BFI, Studio Canal and Arrow Films on projects such as A Fish Called Wanda, Rita, Sue & Bob Too and Waterworld.  

Davis has worked with the world’s leading DOPs, handling dailies and grading major feature films such as Mission Impossible, Star Wars Rogue One and Annihilation. 

Davis started his career at Ascent Media, assisting on film rushes, learning how to grade. By 2010 Davis segued into production, spending time on set and on location working on stereoscopic 3D projects and operating 3D rigs. Returning to grading film and TV at Company 3, Davis then strengthened his talents working in long format film at Pinewood Studios.   Davis enjoys working on a variety of content including short films, commercials, broadcast documentaries and Independent DI projects.

Davis started his career at Ascent Media, assisting on film rushes, learning how to grade. By 2010 Davis segued into production, spending time on set and on location working on stereoscopic 3D projects and operating 3D rigs. Returning to grading film and TV at Company 3, Davis then strengthened his talents working in long format film at Pinewood Studios.   Davis enjoys working on a variety of content including short films, commercials, broadcast documentaries and Independent DI projects.

Now taking up the senior colourist role at Cinelab London Davis comments: “I like to be challenged and I enjoy working to a technically high standard, building relationships with clients and colleagues. I’ve had my eye on Cinelab London for a while.  going to be a treat coming into work each day” The film business is going from strength to strength and they have been working on increasingly exciting projects. I can’t wait to get stuck in.

Davis recently worked on Adewale Akinnuoye-Agbaje’s ‘Farming’ which won Best British Film at the Edinburgh Film Festival in June.

Adrian Bull, co-founder and CEO, Cinelab London says: “We are delighted that Mike is joining us, this year we have had our busiest year ever, often working round the clock. Recruiting like-minded talent to ensure we always provide excellent technical and creative services can be challenging as film skills are often unique.  We feel Mike’s experience and knowledge will complement the team perfectly. “